{"id":1368,"date":"2022-09-18T21:46:22","date_gmt":"2022-09-19T02:46:22","guid":{"rendered":"https:\/\/tomarlacalle.com\/?p=1368"},"modified":"2022-09-30T19:25:53","modified_gmt":"2022-10-01T00:25:53","slug":"berenice-abbott","status":"publish","type":"post","link":"https:\/\/tomarlacalle.com\/en\/berenice-abbott\/","title":{"rendered":"Berenice Abbott"},"content":{"rendered":"<p><strong>Berenice Abbott<\/strong> is one of the most versatile photographers in history, capable of jumping from the skyscrapers of New York to illustrate with photographs the fundamental laws of physics. Moreover, her legacy is not limited to her photographs, since it was thanks to her that the works of\u00a0<strong>Eug\u00e8ne Atget<\/strong>.<\/p>\n<p>Born July 17, 1898 in Springfield, Ohio. In 1917 he began his studies in journalism at Ohio State University. In 1918 she left her studies to live in New York, where she moved around Greenwich Village (a large residential area on the west side of Manhattan), with the idea of becoming a sculptor. In 1921 she travels to Paris to study sculpture. She became a member of\u00a0<strong>Eldorado<\/strong>, He was in Paris with a group of American artists and came into contact with the Surrealists.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1371\" data-permalink=\"https:\/\/tomarlacalle.com\/en\/berenice-abbott\/new-york-berenice-abbott-portada\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada.webp\" data-orig-size=\"1024,787\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"New-York.-Berenice-Abbott-portada\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada.webp\" class=\"wp-image-1371 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada-300x231.webp\" alt=\"\" width=\"438\" height=\"337\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada-300x231.webp 300w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada-500x384.webp 500w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada-768x590.webp 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada-800x615.webp 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/New-York.-Berenice-Abbott-portada.webp 1024w\" sizes=\"auto, (max-width:767px) 438px, 438px\" \/><\/p>\n<p>After two years of training as a sculptor in Berlin and Paris, she became a laboratory assistant for\u00a0<strong>Man Ray<\/strong>, who is known to have hired her because she had no experience, so that he could mold her in photographic printing under his own methods and guidelines. The clientele were mainly American tourists, but the studio of\u00a0<strong>Ray<\/strong> was also the birthplace of photographic surrealism. He specialized in the artistic world, photographing emerging French and American writers and artists who needed a portrait to promote their work in shop windows. He photographed, among others\u00a0<strong>James Joyce<\/strong>\u00a0o\u00a0<strong>Andr\u00e9 Gide<\/strong>.<\/p>\n<p>In 1927 he photographs\u00a0<strong>Eugene Atget<\/strong>\u00a0in his studio and in 1928 he buys a lot of his photographs from\u00a0<strong>Andr\u00e9 Calmettes<\/strong>, director of the municipal theater of Strasbourg. Between 1928 and 1929 Abbott will participate in numerous exhibitions and publications of contemporary photography on his own initiative, presenting his work and that of Atget, among which is the one of\u00a0<strong>Film and Foto<\/strong> of Stuttgart. In February 1929 Abbot left Paris and went to New York to start the same path: opening a portrait studio, participating in the exhibitions of modernist photography and the glorification of\u00a0<strong>Atget<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1370\" data-permalink=\"https:\/\/tomarlacalle.com\/en\/berenice-abbott\/berenice-abbott-01\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01.webp\" data-orig-size=\"1200,947\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"berenice-abbott-01\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01.webp\" class=\"wp-image-1370 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01-300x237.webp\" alt=\"\" width=\"438\" height=\"346\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01-300x237.webp 300w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01-500x395.webp 500w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01-768x606.webp 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01-800x631.webp 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/berenice-abbott-01.webp 1200w\" sizes=\"auto, (max-width:767px) 438px, 438px\" \/><\/p>\n<p>Between 1935 and 1939 Abbott concentrated all his energies on photographing the city for what was to be his book\u00a0<em><strong>Changing New York<\/strong><\/em>, with a large-format 18\u00d724 camera, such as the one in\u00a0<strong>Atget<\/strong>. The book was published in 1939 with an introduction by the distinguished art critic<strong>\u00a0Elizabeth McCausland<\/strong>. It is known that he continued to photograph New York until 1956.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1373\" data-permalink=\"https:\/\/tomarlacalle.com\/en\/berenice-abbott\/8045d88a-c568-4e47-8dbd-b97aec084b3e-200-0000003c8a48f808\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808.webp\" data-orig-size=\"1024,810\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808.webp\" class=\"wp-image-1373 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808-300x237.webp\" alt=\"\" width=\"438\" height=\"346\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808-300x237.webp 300w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808-500x396.webp 500w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808-768x608.webp 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808-800x633.webp 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/8045D88A-C568-4E47-8DBD-B97AEC084B3E-200-0000003C8A48F808.webp 1024w\" sizes=\"auto, (max-width:767px) 438px, 438px\" \/><\/p>\n<p>From 1939 to 1961 Abbott produced a series of works known as her scientific photographs, with the idea of turning photography, no longer into an art form, but into a bridge between scientists and what she called \"scientific photography\".\u00a0<em>men of law<\/em>. In September 1944, the magazine\u00a0<strong><em>Science Illustrated<\/em><\/strong>\u00a0hires her as a photographer and a year later her photograph \u2018soap bubbles\u2019 would be published in the magazine, becoming one of the most famous in history.<\/p>\n<p>Died December 9, 1991, in Monson, Maine.<\/p>","protected":false},"excerpt":{"rendered":"<p>Berenice Abbott es una de las fot\u00f3grafas m\u00e1s polifac\u00e9ticas de la historia, capaz de saltar de los rascacielos de Nueva York a ilustrar con fotograf\u00edas leyes<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":1372,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[22,19],"tags":[],"class_list":["post-1368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maestros-fotografos","category-recomendaciones"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/Berenice-Abbott.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts\/1368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/comments?post=1368"}],"version-history":[{"count":0,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts\/1368\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/media\/1372"}],"wp:attachment":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/media?parent=1368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/categories?post=1368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/tags?post=1368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}