{"id":1375,"date":"2022-09-18T22:00:28","date_gmt":"2022-09-19T03:00:28","guid":{"rendered":"https:\/\/tomarlacalle.com\/?p=1375"},"modified":"2022-09-30T19:13:00","modified_gmt":"2022-10-01T00:13:00","slug":"diane-arbus","status":"publish","type":"post","link":"https:\/\/tomarlacalle.com\/en\/diane-arbus\/","title":{"rendered":"Diane Arbus"},"content":{"rendered":"<p><strong>Diane Arbus<\/strong> was a photographer and professor of photography, the leading exponent of a photographic movement that took place in New York in the mid-20th century, initiated by <strong>Lisette Model<\/strong> based on the concept of truthfulness and empathy, far from the visual effects of technical resources. His work, based especially on street portraits, builds an inventory of the human species and \u2018undresses\u2019 it emotionally, with empathy, without technical artifice and emphasizing beauty far from academic canons.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1377\" data-permalink=\"https:\/\/tomarlacalle.com\/en\/diane-arbus\/diane-arbus-retrato-1-scaled\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1.jpeg\" data-orig-size=\"2467,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"diane-arbus-retrato-1-scaled\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1156x1200.jpeg\" class=\"size-medium wp-image-1377 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-289x300.jpeg\" alt=\"\" width=\"289\" height=\"300\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-289x300.jpeg 289w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-482x500.jpeg 482w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1156x1200.jpeg 1156w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-768x797.jpeg 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-800x830.jpeg 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1480x1536.jpeg 1480w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1974x2048.jpeg 1974w\" sizes=\"auto, (max-width:767px) 289px, 289px\" \/><\/p>\n<p>Since the trial <strong>\u00abFreak Show\u00bb<\/strong> Susan Sontag, who described Arbus as a tourist in hell fighting the ennui of her bourgeois existence with her photographs, has simplified her work as that of a portraitist of \u2018freaks\u2019 or \u2018little monsters\u2019 and accused her of using the camera in a cynical way, although such reduction has more to do with the way her photographs are read.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1378\" data-permalink=\"https:\/\/tomarlacalle.com\/en\/diane-arbus\/diane-arbus-retrato-nin%cc%83as-gemelas-1\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1.jpeg\" data-orig-size=\"2018,2011\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"diane-arbus-retrato-nin\u0303as-gemelas (1)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1200x1196.jpeg\" class=\"size-medium wp-image-1378 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-300x300.jpeg 300w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-500x500.jpeg 500w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1200x1196.jpeg 1200w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-768x765.jpeg 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-800x797.jpeg 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1536x1531.jpeg 1536w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-65x65.jpeg 65w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-63x63.jpeg 63w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1.jpeg 2018w\" sizes=\"auto, (max-width:767px) 300px, 300px\" \/><\/p>\n<p>Paradoxically, although she belonged to a generation of authors who valued the photobook above all else, she did not publish any book during her lifetime. Her \u2018Monographic\u2019 of\u00a0<strong>Aperture<\/strong>\u00a0of 1972 was posthumous and is today considered one of the most important works in the history of photography.<\/p>","protected":false},"excerpt":{"rendered":"<p>Diane Arbus fue una fot\u00f3grafa y profesora de fotograf\u00eda m\u00e1ximo exponente de una corriente fotogr\u00e1fica acontecida en Nueva York a mediados del siglo XX, iniciada por<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":1379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[22,19],"tags":[],"class_list":["post-1375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maestros-fotografos","category-recomendaciones"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-sefl.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts\/1375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/comments?post=1375"}],"version-history":[{"count":0,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/posts\/1375\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/media\/1379"}],"wp:attachment":[{"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/media?parent=1375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/categories?post=1375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomarlacalle.com\/en\/wp-json\/wp\/v2\/tags?post=1375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}