{"id":1375,"date":"2022-09-18T22:00:28","date_gmt":"2022-09-19T03:00:28","guid":{"rendered":"https:\/\/tomarlacalle.com\/?p=1375"},"modified":"2022-09-30T19:13:00","modified_gmt":"2022-10-01T00:13:00","slug":"diane-arbus","status":"publish","type":"post","link":"https:\/\/tomarlacalle.com\/pt\/diane-arbus\/","title":{"rendered":"Diane Arbus"},"content":{"rendered":"<p><strong>Diane Arbus<\/strong> fue una fot\u00f3grafa y profesora de fotograf\u00eda m\u00e1ximo exponente de una corriente fotogr\u00e1fica acontecida en Nueva York a mediados del siglo XX, iniciada por <strong>Lisette Model<\/strong> fundamentada en el concepto de veracidad y empat\u00eda, lejos del efectismo visual de los recursos t\u00e9cnicos. Su trabajo, fundamentado especialmente en retratos callejeros, construye un inventario de la especie humana y la \u2018desnuda\u2019 emocionalmente, con empat\u00eda, sin artificios t\u00e9cnicos y subrayando belleza lejos de los c\u00e1nones acad\u00e9micos.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1377\" data-permalink=\"https:\/\/tomarlacalle.com\/pt\/diane-arbus\/diane-arbus-retrato-1-scaled\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1.jpeg\" data-orig-size=\"2467,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"diane-arbus-retrato-1-scaled\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1156x1200.jpeg\" class=\"size-medium wp-image-1377 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-289x300.jpeg\" alt=\"\" width=\"289\" height=\"300\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-289x300.jpeg 289w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-482x500.jpeg 482w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1156x1200.jpeg 1156w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-768x797.jpeg 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-800x830.jpeg 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1480x1536.jpeg 1480w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-1-scaled-1-1974x2048.jpeg 1974w\" sizes=\"auto, (max-width:767px) 289px, 289px\" \/><\/p>\n<p>Desde el ensayo <strong>\u00abFreak Show\u00bb<\/strong> de Susan Sontag, que describ\u00eda a Arbus como una turista en el infierno que combat\u00eda el hast\u00edo de su existencia burguesa con sus fotograf\u00edas, se ha simplificado su obra como la de una retratista de \u2018bichos raros\u2019 o \u2018monstruitos\u2019 y se le ha acusado de utilizar la c\u00e1mara de forma c\u00ednica, aunque dicha reducci\u00f3n tiene m\u00e1s que ver con la manera en la que se leen sus fotograf\u00edas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1378\" data-permalink=\"https:\/\/tomarlacalle.com\/pt\/diane-arbus\/diane-arbus-retrato-nin%cc%83as-gemelas-1\/\" data-orig-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1.jpeg\" data-orig-size=\"2018,2011\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"diane-arbus-retrato-nin\u0303as-gemelas (1)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1200x1196.jpeg\" class=\"size-medium wp-image-1378 aligncenter\" src=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-300x300.jpeg 300w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-500x500.jpeg 500w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1200x1196.jpeg 1200w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-768x765.jpeg 768w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-800x797.jpeg 800w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-1536x1531.jpeg 1536w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-65x65.jpeg 65w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1-63x63.jpeg 63w, https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-retrato-nin\u0303as-gemelas-1.jpeg 2018w\" sizes=\"auto, (max-width:767px) 300px, 300px\" \/><\/p>\n<p>Parad\u00f3jicamente, aunque perteneci\u00f3 a una generaci\u00f3n de autores que valoraban por encima de todo el fotolibro, ella no public\u00f3 ning\u00fan libro en vida. Su \u2018Monogr\u00e1fico\u2019 de\u00a0<strong>Aperture<\/strong>\u00a0del a\u00f1o 1972 fue p\u00f3stumo y hoy d\u00eda est\u00e1 considerado como uno de los trabajos m\u00e1s importantes de la historia de la fotograf\u00eda.<\/p>","protected":false},"excerpt":{"rendered":"<p>Diane Arbus fue una fot\u00f3grafa y profesora de fotograf\u00eda m\u00e1ximo exponente de una corriente fotogr\u00e1fica acontecida en Nueva York a mediados del siglo XX, iniciada por<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":1379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22,19],"tags":[],"class_list":["post-1375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maestros-fotografos","category-recomendaciones"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomarlacalle.com\/wp-content\/uploads\/2022\/09\/diane-arbus-sefl.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/posts\/1375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/comments?post=1375"}],"version-history":[{"count":0,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/posts\/1375\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/media\/1379"}],"wp:attachment":[{"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/media?parent=1375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/categories?post=1375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomarlacalle.com\/pt\/wp-json\/wp\/v2\/tags?post=1375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}